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curiouser and curiouser: more on the metaphysics of copyright

Friday, December 3rd, 2010

In the last post I examined how copyright law claims to give one person the power to exclude others from a particular “expression”. But what exactly is an expression?

According to Plato and his successors, the transient time and space bound things which we encounter in our everyday lives are imperfect reflections of the Ideas or Forms, which are neither time nor space bound but constitute ultimate reality. The Ideas of Beauty, the Good, and Justice are what enable humans to discern good, beauty and justice. If these were not eternal and unchanging human knowledge would be impossible. The Idea of a horse is what enables designating the disparate mortal animals we encounter as horses. The animals we encounter and their representations have something in common; they are imperfect reflections of the Idea of horseness. Thus artistic depictions of horses need and indeed should not try to mimic the imperfect but should point to the Idea. In the words of Granny Aching ’tain’t what a horse look like tis what a horse be.’

Not everyone agrees with that Platonists. There are other accounts of relationship between ideas and material things. According to one of these accounts ideas are the consequences of the imposition of a priori categories which are intrinsic to human nature. One such account gives no further explanation for the origin of these categories, suggesting that the these categories are both arbitrary and immutable. A related but differing account draws on Darwinian evolution to suggest that ideas, that is the way that humans make sense of the physical phenomena we encounter, are the result of both filtering sensory mechanisms; eyes, ears etc and the way in which brains process the information received from those mechanisms. There are different versions of this account that give differing weight to how important the “hardwiring” of the brains structure is, and how much the way in which the brain’s processing may be the result of conditioning.

Yet another account, claim that ideas are not extrinsic to human beings but regards them as the result of human agreement. Some versions of this account suggest that ideas are the consequences of arbitrary human conventions, and suggest that a sufficiently motivated individual might be able to change such conventions. This account however tends to undercut itself. How are we to make sense of ‘ideas’, ‘individuals’ and ; this own account must either surrender itself as unintelligible or subjective (in which case it is unable to advance a greater claim than rival accounts). One account suggests that ideas are meaningful within interpretive communities which agree on meaning. Other interpretive communities may have different and conflicting explanations of the same things.

The proceeding paragraphs present a very brief summary of three thousand years of philosophic debate. Far more nuanced accounts are required to do justice to the complexity and explanatory power of these various accounts, and critical commentators are invited to provide precisely such accounts in comments on this post.

What emerges from these accounts though is that however divergent they are they posit only two major categories, things encountered and ideas. Whether ideas have a exasperated existence from human beings, or not, whether they are the result of human nature or human agreement, one thing the accounts agree on is that it is incoherent to talk of ideas as the “property” of any individual. If Ideas precede imperfect individuals then those individuals cannot be said to “own” perfect ideas. If on the other hand ideas are the consequences of human nature,in particular human biology, then no single individual can be regarded as their originator nor controller, and the same must be true if ideas are constituted by agreement interpretive communities.

So if ideas cannot be spoken of as subject to ownership what could copyright conceivably control? It cannot be the objects which humans encounter, this painting, that sculpture, this laptop. Legal systems do award legal power over things,and had established rules for awarding, transferring and terminating such power for many thousands of years before copyright. Instead what copyright required was the fabrication of a new category, one that fits somewhere between Form and matter, which is itself neither, the object, nor the pure abstraction. This metaphysical class is often referred to as “expression”. It is however almost entirely under-theorised, a lack which has become calamitous with the advent of digital technology.

What exactly is it that copyright pertains to? It is not, we are told, the physical artefact, the book, nor is it the ideas contained in the book, instead it is apparently something else, the particular sequence of words and letters (and possibly lines and colours); neither concrete nor entirely abstract but somehow both non material and specific. The vagueness of this class of being is one reason for the tendentious nature of much of the rhetoric of certain claimant who believe that their interests lie in ever expanding legal power under the banner of copyright.

This class of beings, if one concedes that it exists at all, is a contingent one, the product of human effort, but not limited in space and time like other products of human effort, and is therefore neither excludable nor rivalrous. A book, so understood, is not like a car, because many thousands or indeed millions of people cannot use a car at the same time, nor can anyone easily surrender whatever one gains from reading a book.

One solution is to deny that a desperate metaphysical class is required at all, but instead to characterise copyright as a set of rules about what other people can do with their property. If however copyright is primarily a limitation of what one can do with one’s own property in favour another person, then its characterisation as property is weak, it must necessarily be the weakest kind of property which consists solely of intrusions into the property of others. If copyright is appropriately characterised in this way then its existence and extension can never be justified merely by references to property, since it always requires a taking of someone’s else’s property. If on the other hand its conceived as primarily control over what others can do then its unusual in granting such extensive power over others to an individual (or fictitious individuals), rather than a government agency. Contracts also grant extensive powers over the conduct of others to individuals but this is considered justifiable because of the content which contracts (hypothetically) embody. A property ‘right’ which consists entirely over power over the conduct of others is, except for slavery, unprecedented.

Those who wish to justify copyright as something more or other than an intrusion into the rights of owners of things must then advance an account of the objects of copyright, and in doing so explain how such an account can make sense in one or more of the accounts of ideas and things so far advanced. To date they have failed to do so.

The curious metaphysics of copyright

Thursday, December 2nd, 2010

Although or perhaps because both the Enlightenment and its successor Modern projects sought to eschew metaphysics, one of their most characteristic (creations/something that is both produced and producing) copyright relies on a curious but little examined metaphysics.

Copyright, as every law student knows (or should know) does not give anyone the power to exclude others from using ideas or facts. This is, or at least should be, unsurprising. For something to be regarded as a fact it does not need to be “creative” but simply to be factual. ‘Creativity’ with facts is usually regarded as a bad idea. Fraud involves some ‘creativity’ with facts as do many other kinds of dishonesty, which are immoral if not illegal. Ideas, like facts are the common currency of human communication.

Permitting a person to control an idea, and invoking the coercive power of the State to enforce that control is obviously problematic. Why obviously? Attempts to control ideas, whether by public or private parties is censorship, an unwarranted intrusion into freedoms of belief and expression which is central to open societies. There is however another more subtle point.

Its easy if we have an idea that strikes us as important to fondly imagine it to be unique. History teaches us that there is very little which has not been thought, and recorded before. We are not as original as we may often hope to be. Closely related to this is the difficulty which a judge would encounter in determining whether two ideas are the same. If ideas are somehow separate from their expressions* then the difficulty is in determining whether the ideas are the same without resort to their expressions. How can a judge determine that what you mean by your “idea” is the same as the “idea” which I now have, apparently through copying. Are two completely different expressions the same idea in the abstract? Are the ideas identical or just similar? Are there yet other expressions, not yet expressed which could also be covered by the abstract idea? Its readily apparent that asking judges to ascertain if one person has copied another’s ‘idea’ involves judges resolving difficult questions about the nature of consciousness, the relationship between minds and bodies, basically all the big questions in the philosophy of mind. Comparing two expressions of ideas such as two books, while it raises some practical difficulties which require judgment is a lot simpler. For the purposes of judicial economy alone polities chose to grant exclusive rights not to ideas but to expressions of those ideas.

*Of course if someone were to contend that its not really possible to distinguish between ideas and expressions then that person cannot complain when copyright protects only expressions.